About the Book
Common Topics & Definitions
- Ostinato
- An unchanging pattern played using one or more limbs.
- Element
- A one beat idea (A, B, C) played involving one or more limbs not used in the ostinato. Most exercises utilize two elements at a time.
- Sequence
- A prescribed order in which a pair (or trio) of elements are to be played. The Sequence section is in book 2
- Example
- A note for note transcription of 2 or more elements as played correctly against the given ostinato in a Sequence. Most of the written examples in this book are based around Sequence #2 from the 8-note Sequence section, which is A A B B A A B B.
Grouping Elements
Each element has been carefully grouped with a second or (in the case of A B C combinations) third element. The goal is to be able to move smoothly between each element in a group. I've tried to avoid forcing any one limb to play more than two consecutive notes. Most of these groups have a direct application, though some are designed primarly as drills.
Musicality
The best ways to develop musicality are to play with musically sensitive musicians and listen to musical drummers. Luckily, there is a long and rich recorded history of jazz drumming available to enjoy. Study the masters such as Max Roach, Philly Joe Jones, Elvin Jones, Steve Gadd, Bill Stewart, Roy Haynes, John Riley, Jeff Watts, and Billy Higgins. Copy, emulate, and become obsessed with your favorites.
Play along with their recordings. It is through this process of osmosis that some of the most effective learning takes place.